Recipes

Christmas is cooking …

photo credit: k e e k i via photopin cc
photo credit: k e e k i via photopin cc

Around this time of year, talk in my family turns to what we’re going to eat on Christmas Day. If it’s my side of the family, our preference is to have one big meal that stretches out for most of the afternoon—perhaps some nice nibbles to start with, some BBQ’d seafood (we ARE in Australia after all, what’s Christmas without a BBQ?) for a first course, then maybe a whole fish (again, cooked on the BBQ) and a turkey breast or some slow-roasted lamb, or a beef fillet, with some salads and maybe some asparagus and of course roast potatoes!

Then there’s a ham on the side for those that want it; the leftovers will keep us in sandwiches for the next week or so! That usually takes us through to late afternoon, and after a rest it’s time for dessert—something lighter and more summery like pavlova or summer pudding, as well as the more traditional Christmas pudding.

Christmas pudding has become a tradition in our family over the last 20 years or so. I don’t really remember it featuring on the menu when I was a kid, unless we were visiting our relatives, although I know it made the occasional appearance. But when I moved to the US in the early 90s and started teaching myself how to cook, I came across a recipe in The San Francisco Chronicle that was easy and delicious, and with some minor modifications I’ve been making it ever since!

It’s not too labour intensive, although you need to plan your cooking around your schedule as you need to start the fruit macerating the day before you cook the puddings, and the steaming time is several hours long. And here where Christmas meets Summer, I also have to keep an eye on the weather, as I don’t want to heat the house up more than I need to on a hot day.

My recipe makes two good-sized puddings— each one is plenty for a group of 12 as it is very rich—and they keep for a while, although I have made them as little as a week before the big day with delicious results. I think the longest I’ve kept a pudding is about a year—the quantity of alcohol is sufficient to preserve it well!

I’ve got a couple more Christmas cooking posts for you over the next few days, a great boiled fruitcake recipe as well as the most fantastic raspberry chocolate truffle slice, seriously it’s to die for!

(You’ll have to wait for a photo—there is absolutely nothing photogenic about a pudding in a tin mould!)

Boozy Christmas pudding

Adapted from a recipe published in The San Francisco Chronicle on 16 December, 1992.

Makes 2 puddings, each serving 8-10 people.

350g prunes, pitted and chopped
300g currants
225g dark raisins
125g mixed peel
100g dried apricots, chopped
zest and juice of large orange
zest and juice of large lemon
1 Tbs molasses
2/3 c Guinness stout
1/2 c brandy
1/4 c tawny port
1/4 c Cointreau
1/2 tsp ground cinnamon, rounded
1/2 tsp ground nutmeg, rounded
1/2 tsp ground black pepper
1/2 tsp ground cloves, scant
1 c plus 1 Tbs dark brown sugar
8 cups of breadcrumbs made from fresh white bread — about 500g
175g butter plus additional for greasing the pudding basins

Combine the prunes, currants, raisins, peel, citrus zests and juice, apricots, and molasses in a large non-reactive bowl. Add the stout, brandy, port and Cointreau and mix well. Stir in the spices, add the sugar and mix very well. Cover bowl with plastic wrap and refrigerate for 24-48 hours, stirring occasionally.

Take the fruit mixture out of the fridge and stand at room temperature for about an hour. Fold in the breadcrumbs in batches with a large spatula, until no white specks of bread are visible. The mixture will be quite stiff at this point. Allow to stand for about 30 minutes at room temperature. Melt the butter and thoroughly fold into the mixture. There will be about 9 cups of the pudding mixture.

Brush 2 pudding moulds, each about 2-2.5L capacity, with melted butter. Lightly pack the pudding mixture into each mould and smooth tops with a rubber spatula.

Butter 2 rounds of baking paper/parchment and press onto the surface of each pudding. Cover each mould with its lid, or with aluminium foil.

Place each mould into a stockpot with boiling water 3/4 of the way up the sides of the mould and cover pot with lid. Steam for 4 hours over low to medium-low heat so that water bath is at a gentle boil.  Replenish boiling water as necessary.

Transfer puddings to wire racks and cool to room temperature. Cover with plastic wrap and refrigerate until day of serving. Brush them with brandy or Cointreau once or twice if desired.

To serve, let puddings stand at room temperature for 30 minutes, then steam as before for 2.5 hours. Let cool on rack for a further 1.5 hours.

Run a knife around the edge of the pudding and invert onto a cake plate or stand. Decorate with holly sprigs and/or glace fruit if desired.

Pour about 2 Tbs hot brandy over the top of the pudding and light with a match. The flames will subside as the alcohol burns off. Slice and serve with whipped cream, vanilla icecream, custard, brandy butter or even a slightly sweetened natural yoghurt.

Notes:

1. You need at least 3 days to make the puddings from start to finish. But the longer the puddings have to mature, the better. I try to make mine in early December.

2. The original recipe called for Frangelico instead of Cointreau, so feel free to mix up the alcoholic flavours a bit! Grand Marnier would also be nice. Cognac can be used in place of brandy.

3. You could use glace fruits instead of mixed peel.

4. I use a good quality white sandwich loaf for the breadcrumbs, which I prepare using a food processor. Sometimes I use the crusts, other times I cut the crust away. What is important is making sure that the bread is in crumbs not chunks.

5. You could use several smaller pudding moulds or basins if you wanted smaller puddings, but make sure the bowls aren’t more than about  3/4 full. The steaming time remains the same.

6. Leftover pudding can easily be heated up in the microwave, and it’s nice cold too!

Beads

Art Bead Scene Holiday Ornament Blog Hop—Reveal!

If you’ve come to look at my post for the 3rd Annual Challenge of Color, click here!

OrnamentHop2

It’s time to see what ornament I came up with for the Art Bead Scene Holiday Ornament Blog Hop using the beads I found up at the Bead Expo a few weeks ago from local lampwork artist Marianne Bradman. When I saw them in a bowl of orphan beads, I knew they’d be perfect for a Christmas ornament or three.

lores

In the end, time won out and I made one ornament using just one of the beads.  I used memory wire and Czech glass beads to make 2 nested rings with silver-coloured craft wire messy-wrapped over the loops joining the two ends of each ring. I wired the two loops together and dangled a silver-coloured snowflake charm in the centre, and hung the whole thing off the art bead. A length of red and white bakers twine for hanging completed the ornament. The loops and the snowflake move freely

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If I can get some more of the Czech glass beads in the right colours, I will probably make it a trio of ornaments.

Here are the other participants in the Art Bead Scene Ornament Blog Hop—please go and take a look at what they have come up with too!

Art Bead Scene

Humblebeads

Treasures Found

Song Beads

Viki O’Dell

Sue Beads

Modern Nature Studio

Diane Hawkey

Suburban Girl Studio

Jen Judd Rocks

Ellie’s Bijoux

Island Girl’s Insights

Life By The Seat Of My Pants

Too Aquarius 

Shelley Graham Turner

Artfully Ornamental

Charis Designs Jewelry

Harrison Hollow Designs

Silver Nik Nats

Bead Soup Mix

Toodles and Binks

Bead Recipes >>YOU ARE HERE<<

Play Sculpt Live

BeeTree by M.E.

Beads

African Coast Necklace—The 3rd Annual Challenge of Colour

Challenge of color 2012 button

Well, today is reveal day for Erin Prais-Hintz’s 3rd Annual Challenge of Color. I have to admit I am late posting this, although it is still November 30 in the USA (phew!). It’s not that I hadn’t finished my piece, but the end of the year is in full swing around here and this week alone I have had my daughter’s piano concert, a school assembly performance, Christmas shopping, extreme heat, work, after school activities and, well, you get the picture.

Enough with the whinging and lame excuses and on to the challenge! Erin teamed up with Brandi Hussey, a jewellery designer turned colour guru, who created 40 palettes based on images from the Earth as Art series of satellite images. From Erin’s original blog post about the challenge:

The Earth As Art image gallery is a group of over 120 pictures taken from the Landsat series of Earth observation satellites since 1972. These pictures of the unique features of our beautiful planet are a vital resource for understanding scientific issues related to land use and natural resources. Plus they are just so darned cool!

All the images that we will be using in this Challenge of Color and all the information that I found came from the National Aeronautics and Space Administration (NASA) which donated all these images to the Library of Congress.

The images in these galleries are spectacular. The views of mountains, valleys, islands and forests was well as agricultural patterns and even heavily populated areas are quite striking in their abstraction. The colors are much different than what you might expect. The satellite land imagery uses a digital palette that relates to the different levels on the infrared spectrum and help to give insight into the specific geography of the image.

Erin selected two palettes for each of us from the set of 40 that Brandi created. No two participants got the same pair of palettes, and we only had to use one of them. My two palettes were gorgeous:

guinea-bissau

north america

I was intrigued and challenged by the predominance of earthy red colours in both palettes—they are not colours I gravitate toward as a rule. I looked through my bead stash and found beads that matched both palettes, which I pulled aside. I had ideas for both, but unfortunately was only able to complete the piece for the first palette—but I will complete the second piece when I have some breathing space and post it in the next few weeks.

So, that first palette. It’s a satellite image of a small African country, Guinea-Bissau, taken on 1 December 2000. The image shows complex swirling patterns in the blue of the ocean surrounding it, which are caused by the deposition of silt from the rivers you can see carving their way through the landscape. From Wikipedia, I learned this about Guinea-Bissau:

Guinea-Bissau, officially the Republic of Guinea-Bissau, is a country in West Africa. It is bordered by Senegal to the north and Guinea to the south and east, with the Atlantic Ocean to its west. It covers 36,125 km² (nearly 14,000 sq mi) with an estimated population of 1,600,000.

Guinea-Bissau was once part of the kingdom of Gabu, as well as part of the Mali Empire. Parts of this kingdom persisted until the 18th century, while a few others were part of the Portuguese Empire since the 16th century. It then became the Portuguese colony of Portuguese Guinea in the 19th century. Upon independence, declared in 1973 and recognised in 1974, the name of its capital, Bissau, was added to the country’s name to prevent confusion with the bordering Republic of Guinea. Guinea-Bissau has a history of political instability since gaining independence and no elected president has successfully served a full five-year term.

Only 14% of the population speaks the official language, Portuguese. A plurality of the population (44%) speaks Kriol, a Portuguese-based creole language, and the remainder speak native African languages. The main religions are African traditional religions and Islam, and there is a Christian (mostly Catholic) minority.

The country’s per-capita gross domestic product is one of the lowest in the world.

This small, tropical country lies at a low altitude; its highest point is 300 metres (984 ft). The interior is savanna, and the coastline is plain with swamps of Guinean mangroves. Its monsoon-like rainy season alternates with periods of hot, dry harmattan winds blowing from the Sahara. The Bijagos Archipelago extends out to sea.

The thing that struck me most about the image is the contrast of the vivid blue of the ocean with the red tones of the land. Interestingly, the red areas indicate dense vegetation, one of the quirks of the satellite images, which undergo complex processing to combine data collected across the electromagnetic spectrum (you can find an explanation of how these images are constructed on Erin’s blog post, linked above).

IMG_2573

So those contrasts are what I tried to capture in my African Coast necklace, which uses copper chain and findings, combined with some Czech glass beads in an autumnal blend of lighter and deeper reds, as well as cobalt blues. I wove a blue silk fairy ribbon through the chain to highlight the vivid blues of the ocean. Sadly, I couldn’t find an art bead in my stash that had the right colours, so this time around I have not used one.

IMG_2574

As I said above, I have plans to make a piece based on the second palette too. I have a set of crazy lace agate beads that not only contain the earthy mix of orangey-browns but the pattern of colour of the natural stone resembles the image above.

IMG_2579

It’s been an enjoyable challenge, and one that I wish I had had more time to work on. Thank you for the beautiful palettes Erin and Brandi, and I’m really looking forward to hopping around to see everyone’s palettes and creations. Here is a list of the participants:

Jeannie Dukic    (life threw her a curveball, spread some sunshine to her anyway!)
Kristen Stevens  (her Muse is on vacation – hop over and give her Muse a nudge 😉
Tracy Stillman   (hard to bead with a wrist injury, send healing thoughts)
Melissa Trudinger  YOU ARE HERE!
Beads

Filigree Fancy

I recently took part in Beading Forum‘s Designer Quest #25, a challenge organised by the Australia-based online forum twice a year. This time around, the beads came from Chicky Babe’s Beads.

I forgot to take a photo of the beads but luckily they had this good picture posted on the forum. I chose to use the Copper and Jet AB pack—the other was gunmetal and tanzanite, which I liked too, but I thought I would challenge myself more with the copper shades. It contained copper filigree of various shapes and sizes, some lentil dangles in two different colours, Swarovski bicones and a rivoli, as well as a crystal octagon, some seed beads and some copper chain.

I have to admit that I ummed and aahhed over my pile of goodies until it was almost too late to submit anything. I’m not great with seed beads and rivolis and in the end I decided not to use them. I added in some rondelles in a coordinating lighter shade to contrast with the darker filigree stampings, as well as some copper findings and some fine copper chain. And I dipped the bright copper chain from the kit in Liver of Sulphur to give it a more antique look which better matched the filigree (proud moment—it was my first attempt at oxidising copper with Liver of Sulphur and I was pretty chuffed with the result).

Here’s a close up of the dangle, which is my favourite part of this necklace.

I was quite pleased with my last minute effort, although it pales in comparison to the efforts of the dedicated beadweavers on the forum.

Beads

To market, to market

Well, I survived the school craft market! And it was fun! I sold some jewellery, made a little money, and I got a few compliments on my designs too.

To put it all in context, this market was primarily for school kids, and their accompanying parents. I knew my customers were mostly going to be little girls, aged between 5 and 12. So I decided to make necklaces appealing to girls like my daughters, who are 7 1/2 and almost 6 years old, with mysterious keys, heart-shaped lockets, bright flowers, butterflies, rainbows, fairies and unicorns, cute little critters. I mostly used silver-toned metals, but I also had some antique copper and brass chains and charms. And I had a few wooden pendants with a broader appeal—some surfboards and some tribal-looking pendants.

I ended up selling almost half of the necklaces I made, mostly the silver ones. Some large silver lockets I found on Etsy were the most popular item, which didn’t surprise me.

To tempt the adults, I also made a few things—earrings, the bracelets I featured in this post, and a handful of necklaces in various designs using pendants from Marsha Neal Studio, Humblebeads and White Clover Kiln and Czech beads. I didn’t expect to sell much—I ended up selling two pairs of earrings—but I wasn’t disappointed, as I knew the main customers were going to be the kids. But one customer was very taken with my Día de las Muertos necklace and took my card—maybe I’ll hear from her, maybe I won’t.

So what’s next? Well, there is a monthly handmade market, aptly named The Handmade Show, just around the corner from me. I went and had a look yesterday and there were a few jewellery sellers there, but they do restrict the numbers of each kind of stall so not too many. This particular show is closed over the summer months, but I have made note of the date when applications open for the first show in April next year, and I think I will apply. It’s inexpensive, and, I think, a good starting point for me. I also need to seriously think about opening an Etsy shop—I’ve started the process but I need to pull together some more stock, take some good photos, and start listing. And I need to make a Facebook business page, and perhaps have a small sale there in the run up to Christmas.

In the mean time, if you’re thinking about getting someone something special for Christmas, let me know if I can help!

Beads

All sorts of things coming up

I’ve just made a list of all the things I’ve signed myself up to do in the next couple of weeks, and, umm, I’m going to be busy! As soon as I have finished getting ready for the craft market I need to get moving on a few other things, a handful of bead and gift swaps and a handful of challenges and blog hops. Then of course I also have presents to make for my family!

Some of the highlights coming up include:

The 3rd Annual Challenge of Color: Earth as Art—Erin Prais-Hintz’s final challenge for 2012. This time, she has teamed up with colour queen Brandi Hussey to create 40 stunning palettes from enhanced satellite images. Each of the 80 participants in the blog hop get to choose between two palettes selected individually for each of us. These are my two, come back on 30 November to see which palette I chose to inspire a design.

The Art Bead Scene Ornament Blog Hop—organised by Heather Powers. In this challenge I need to create a handmade Christmas ornament using either handmade components or artist beads. I’ll post a sneak peek on 1 December, and reveal my creation a few days later on 4 December.

Finally, I was thrilled to be chosen to be part of Lorelei Eurto’s 12 Days of Christmas Handmade Gift Swap. For this swap I need to make 11 gifts and send them out across the world by the beginning of December, and starting on Christmas Day, each of us will open one present per day and blog about it as we go. As I’m the ninth on the list, my gift will be opened on 2 January.

And that’s it for blog hops in 2012. Of course, late January is when sign-ups for the 7th Bead Soup Blog Party are happening, and I’ve got a Sci-Fi themed blog hop happening sometime in the new year too. So it won’t be long before I’m busy again!

Beads

The next step

My kids’ school is holding a little craft market in a couple of weeks and I’ve signed up for a stall. So, that means I’ve got about 2 weeks left (!) to make as much jewellery as I possibly can. Eek!

My Mum is making some ceramic Christmas decorations—porcelain snowflakes and birds—as well as some other ceramic bits and pieces to sell at my stall too.

Here’s a sneak peek of the things I’ve been busy making this weekend … bracelets! I made TEN yesterday—those lovely colourful Czech glass ones in the photo below. And there are several with Gaea‘s lovely ceramic beads knotted on leather.

I’ve got loads of earrings too, and will be making more this week, along with some necklaces. I’ve been madly ordering supplies so that I can whip up a bunch of cute necklaces for little girls—rainbows, butterflies, hearts, lockets, mysterious keys and flowers. I’m aiming to spend no more than $2-3 on each one and with luck I can sell them for $10-15. And I’ve started working on how to display everything too.

Oh, and I’ve also come up with a name for my jewellery “business”…

BOHO BIRD JEWELLERY

What do you think? I’m hoping that if I sell some of my designs I might be brave enough to open an online store on Etsy or Madeit, or even sign up for one of the local craft markets—there’s one around the corner from us every month that could be good for a newbie like me.

Recipes

The silverbeet solution

We have lots of silverbeet and rainbow chard in our garden. It’s about the only thing we grew this winter, and I kind of forgot about using it until suddenly there was so much I was a bit overwhelmed by it!

I had in mind some kind of silverbeet tart or pie, so I went looking through my recipes books. Have you tried Eat Your Books? It’s the perfect solution for someone like me, with an embarrassingly large collection of cookbooks! It’s an online recipe index with not only the recipes indexed but the ingredients in each recipe too—you add all your recipe books, magazines, even blogs, to your library and then when you are looking for a recipe, you type in the ingredients or type of recipe you’re looking for and it tells you what recipes are in what books, and a list of ingredients required! It’s fantastic!!

In the end, though, I didn’t find quite what I was looking for, so I made it up as I went along. My recipe is loosely based on this recipe, but I have changed it a fair bit, most noticeably by adding lamb! I also added a spice blend from a local middle eastern supermarket. It’s a Lebanese blend of allspice, cloves, black pepper, cinnamon, ginger, fennel, anise, nutmeg, mahlep and galangal, known as Seven Spices (I know, I know, there are 10!), and it just gave the pie filling a subtle boost of flavour without overwhelming it.

It ended up being a perfect meal, served with a green salad to add some crunch. And I think it would be just as nice with chicken instead of lamb.

Lamb and Silverbeet Parcels

Serves 6

2 Tbs olive oil
1 large onion, finely diced
2 cloves garlic, crushed
500g lamb mince
1 large bunch of silverbeet or rainbow chard
300g ricotta cheese
100g feta cheese, crumbled
grated rind of 1 lemon
1/2 tsp Seven Spices blend or a similar middle eastern spice blend
sea salt and freshly ground black pepper
1 egg, lightly beaten
6 sheets of puff pastry
1 egg, lightly beaten with a splash of water for the pastry wash
 

Preheat the oven to 200C.

Cut the silverbeet/chard leaves away from the stems. Slice the leaves into ribbons and finely chop the stems.

Fry the onion and garlic gently in about 1 Tbs olive oil over medium-high heat for 5 minutes or until soft and golden.

Add the mince and silverbeet stems and fry until the meat browns. Then add the silverbeet leaves handful by handful, allowing it to wilt between each addition.

Stir through the cheeses and the spice blend, then season with sea salt and freshly ground black pepper. Finally stir the beaten egg through and allow to cool slightly.

Divide the mixture into 6 portions and place each portion in the middle of a square of puff pastry. Fold the corners over each parcel to fully enclose and brush with the egg wash.

Bake in the oven for about 30 minutes, until the pastry is golden brown. Serve immediately.

Notes:

1. Filo pastry could be used instead of puff pastry. In that case, brush with olive oil or melted butter instead of the egg wash.

Recipes

Roast chicken with a twist

I’ve been in a bit of a food rut recently. We’ve been busy busy busy and while I’ve been doing a lot of cooking, it hasn’t been super exciting.

But I came across this Neil Perry recipe in the weekend paper yesterday and something about it just appealed to me. I love Asian flavours, and I love roast chicken, so the idea of marrying the two together is just inspired! It’s really easy to put together and tastes fantastic.

Neil Perry suggests serving it with steamed Asian greens. We ate it with homemade fried rice, steamed asparagus and green beans and just picked silverbeet and rainbow chard, sauteed and wilted with garlic and seasoned with a splash of soy sauce and a drizzle of sesame oil.

Lemongrass and Ginger Roast Chicken

Adapted from a recipe by Neil Perry, published in The Age, 20 October 2012.

Serves 4-6

2 stalks lemongrass, white part only, finely sliced
1 Tbs grated ginger
1-2 cloves garlic, chopped
2 eschalots, chopped
1 lime, juiced
1 Tbs fish sauce
1/2 tsp caster sugar
100g unsalted butter, diced and softened to room temperature
1.5 kg free range chicken
olive oil
sea salt and freshly ground black pepper
sesame oil 

Preheat the oven to 180C.

Using a small food processor, chop the lemongrass, ginger, garlic and eschallots until very fine. Add the lime juice, fish sauce and sugar and blend to a paste. Using a fork, mix through the softened butter.

Gently loosen the skin of the chicken over the breast and legs and push the butter under the skin. Place chicken breast side up in a baking dish. Season with salt and pepper and drizzle with olive oil. Roast for 1 hour or until the juices run clear when the thickest part of the thigh is pierced.

Rest for 10 minutes before cutting into pieces. Drizzle with sesame oil just before serving.

Beads

Mismatched Art Bead Earring Swap and Blog Hop

Diana Ptazsynksi from Suburban Girl Studio regularly hosts earring swaps on her blog, where jewellery designers are paired up and asked to create a pair of earrings for their partners. Her latest version is the Mismatched Art Bead Earring Swap, which reveals today. Although Diana restricts her swaps to bloggers in the USA and UK due to the potential for postal delays, she kindly let a couple of us Aussies join in an unofficial swap on the side! So fellow beader and blogger Karen Mitchell, from Over the Moon Design, and I have partnered up to swap earrings.

The rules are that art beads must be used in each earring, and the earrings shouldn’t match, although they should go together, if you know what I mean!

This is what Karen sent me. Aren’t they gorgeous??

The lampwork daisy bead and the two lampwork spacer beads are from Journey Beads. They are such a bright and cheerful pair of earrings, and I’m going to enjoy wearing them very much indeed!

This is what I sent Karen. I used a pair of lampwork beads from Tania Tebbit at Tanglebeads , threaded onto 3 colours of waxed linen cord, with tiny Czech beads in coordinating colours knotted onto the ends. The lampwork beads are topped with a Czech bead in aqua and sand, and Trinity Brass antique silver-plated earring hooks.

You can find the rest of the participants in the Mismatched Art Bead Earring Swap Hop here:

Diana Ptaszynski http://www.suburbangirlstudio.com

Lisa Liddy http://www.lisaliddy.wordpress.com

Kari Asbury http://www.hippiechickdesign.blogspot.com

Jayne Capps http://mamasgottodoodle.blogspot.com

Rebecca Anderson http://www.songbeads.blogspot.com

Lesley Watt http://www.thegossipinggoddess.blogspot.com

Lori Bowring Michaud http://www.artfullyornamental.blogspot.com

Renetha Stanziano http://www.lamplightcrafts.blogspot.com

Holly Westfall http://www.silverrosedesigns.blogspot.com

Theresa Fosdick http://www.thoughtful-notions.blogspot.com

Ali McCarthy http://www.northwoodscreativestudio.blogspot.com

Shai Williams http://shaihasramblings.blogspot.com

Iveth Caruso http://www.creativeatelier.net/blog.html

Carolyn Collins http://www.sparklingwaterstudio.com

Elaine Ray http://www.elaineray.blogspot.com

Kristen Stevens http://kristen-beadjourney.blogspot.com

Charlene Jacka http://www.clay-space.com

Jan Onipenco http://www.MoltenMayhem.typepad.com

Stephanie Woods http://www.rainydaysdesigns.com

Eleanor Burian-Mohr http://www.cornerstoregoddessjewelry.blogspot.com

Shelby Foxwell http://www.sundownbeaddesigns.blogspot.com

Pam Sears http://www.crazycreativecorner.blogspot.com

Mary Harding http://www.maryhardingjewelrybeadblog.blogspot.com

Lisa Johnson http://www.Whimsyswonders.blogspot.com

Kashmira Patel http://www.sadafulee.blogspot.com

Penny Neville http://www.copperpennydesigns.blogspot.com

Dee Elgie http://www.cherryobsidia.blogspot.co.uk

Sarah Small http://www.bysalla.blogspot.com

Carolyn Lawson http://www.Carolynscreationswa.blogspot.com

Karin Slaton http://www.backstorybeads.blogspot.com

Ashleigh Becker http://www.seladesignsjewelry.blogspot.com

Kay Hand http://www.creativetangent.blogspot.com

Rana L. Wilson http://ranaleadesigns.blogspot.com

Sandra McGriff http://www.skyescreativechaos.blogspot.com

Dawn Pierro http://www.turtlemoondesigns.me

Shelley Graham Turner http://www.shelleygrahamturner.blogspot.com

Karen Mitchell http://www.overthemoon-design.com

Melissa Trudinger http://www.beadrecipes.wordpress.com YOU ARE HERE!